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In her latest feature, prolific horror auteur Jennifer Reeder makes mighty use of both, crafting an inventive ghost story for the video call era. Naturally, genre filmmakers are best equipped to see the creative potential in pandemic fears - and its limitations.

Retrieved 9 March 2015.During the last two years, isolation and its many horrors have haunted everyone. Archived from the original on 8 September 2015. School of the Art Institute of Chicago Alumni News.

^ "Jennifer Reeder at the Gene Siskel Film Center (September 29, 2014)".

^ "Blood Below the Skin: Films by Jennifer Reeder".University of Illinois at Chicago News Center. "Feature-length dreams and artful, award-winning films". ^ Talbot, Margaret (November 30, 1997).^ "Creative Capital: Artist Projects".^ "Announcing the 2015 Creative Capital Artists: $4,370,000 Awarded to 46 Moving Image and Visual Arts Projects (January 7, 2015)".Archived from the original on 7 February 2010. "2015 Sundance Film Festival: Short films slate". ^ Rejano, Christopher (15 December 2014).^ "International Film Festival Rotterdam: Tiger Awards Competition for Short Films 2014".Reeder received an MFA from The School of the Art Institute of Chicago in 1996 and is represented by the Andrew Rafacz Gallery in Chicago, Illinois. She is the founder of the social justice group Tracers Book Club, which focuses on feminist issues. Reeder currently teaches in the School of Art and Art History at the University of Illinois, Chicago and holds the position of Associate Professor Moving Image. Her films have screened at the Whitney Biennial The New York Video Festival Kunsthalle Exnergasse in Vienna, Austria the Gene Siskel Film Center the Yerba Buena Center for the Arts in San Francisco P.S.1 Contemporary Art Center the Wexner Center for the Arts the Chicago Underground Film Festival the Criterion Channel and the 48th International Venice Biennial. Interviewed by writer and Northwestern University professor Laura Kipnis for the anthology White Trash: Race and Class in America, Reeder said that white trash "describes a certain esthetic, but I think it's also a socioeconomic situation, and a way of perceiving the world around you and your own place in the world." Her more recent films explore the lives of adolescent girls and their use of music, slang, and fashion to express their identities and aspects of their emotional world. Reeder attracted notice early in her career for her performance and video work as "White Trash Girl," a fictional identity through which the artist explored lower-income white culture in the United States. She received a Rockefeller Grant for New Media in 2002 and a Creative Capital grant in 2015 to support the production of her first experimental feature-length film, Knives and Skin. In 2003, she had a solo screening at Moderna Museet in Stockholm, Sweden. Her short film A Million Miles Away (2014) was nominated for a Tiger Award for Short Films at the International Film Festival Rotterdam and screened at the 2015 Sundance Film Festival in the U.S. Jennifer Reeder (born 1971, Ohio) is an American artist, filmmaker, and screenwriter.